Adams, Percy G. “The Historical Importance of Assonance to Poets.” PMLA, vol. 88, no. 1, 1973, pp. 8–18., doi:10.2307/461320.
Alexander, Kara Poe, et al. “ .” Understanding Modal Affordances, bwe.ccny.cuny.edu/alexandermodalaffordances.html.
Arnold, Matthew. “SHELLEY.” The Nineteenth Century: a Monthly Review, Jan. 1888, pp. 23–39.
Crowe, William. A Treatise on English Versification. John Murray, 1827.
De Man, Paul. The Rhetoric of Romanticism. Columbia UP, 2008.
Freccero, Carla. Queer/Early/Modern. Duke UP, 2006.
Hagstrum, Jean H. The Romantic Body: Love and Sexuality in Keats, Wordsworth, and Blake. U Of Tennessee P, 1985.
Halberstam, Judith Jack. The Queer Art of Failure. Duke University Press, 2011.
Hoeveler, Diane Long. Romantic Androgyny: The Women Within. Pennsylvania State UP, 1991.
Knox, Vicesimus. Essays Moral and Literary. II, James Decker, 1800.
McRuer, Robert. “Composing Bodies; or, De-Composition, Queer Theory, Disability Studies, and Alternative Corporealities.” Jac, vol. 24, no. 1, 2004, pp. 47–78.
Mitford, William. An Inquiry into the Principles of Harmony in Language, and of the Mechanism of Verse, Modern and Antient. The Second Edition, with ... Large Additions. 2nd ed., Luke Hanfard, 1804.
Oliver, Mary. A Poetry Handbook. Harcourt Brace, 1994.
Preminger, Alex J., et al., editors. Princeton Encyclopedia of Poetry and Poetics. Princeton UP, 2015.
Roe, Richard. The Principles of Rhythm, Both in Speech and Music Especially as Exhibited in the Mechanism of English Verse. Graisberry, 1823.
“Rosalind and Helen, A Modern Eclogue, By Percy Bysshe Shelley.” Blackwood's Edinburgh Magazine, June 1819, pp. 268–274.
“The Cenci; a Tragedy. By Percy B. Shelley.” The Edinburgh Monthly Review, May 1820, pp. 591–604.
Waite, Stacey. Teaching Queer: Radical Possibilities for Writing and Knowing. Uof Pittsburgh P, 2017.